{"id":246,"date":"2021-09-01T20:36:11","date_gmt":"2021-09-01T18:36:11","guid":{"rendered":"https:\/\/www.lescrisdeparis.fr\/?post_type=voir&#038;p=246"},"modified":"2023-03-15T19:47:23","modified_gmt":"2023-03-15T18:47:23","slug":"francesco-filidei","status":"publish","type":"voir","link":"https:\/\/www.lescrisdeparis.fr\/en\/voir\/francesco-filidei\/","title":{"rendered":"Marginalia"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Filidei, Bordalejo, Stroppa, Strasnoy, Mitterer, Combier<\/h2>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Questo \u00e8 tutto | Francesco Filidei\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/QpOzJgBBxxM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tom\u00e1s Bordalejo | Instantan\u00e9 n\u00b01\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/RG5DrF3-xNQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Oscar Strasnoy | Etude sur le Kamasutra\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/30ZZRN_0csI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Wolfgang Mitterer | Am Morgen\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/DXz1gvJsy-U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"J\u00e9r\u00f4me Combier | Esperienza\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/RGEn34_Hfko?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Marco Stroppa | A huit voix\/es qui bifurquent\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/VK38wmC1Nr8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption><br><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">UN CYCLE D\u2019OEUVRES DE CONFINEMENT<\/h2>\n\n\n\n<p>\u00c0 l\u2019image des marginalia, notes manuscrites, dessins ou signes qu\u2019on trouve trac\u00e9s par les lecteurs ou les copistes qui ont investi la marge de leur ouvrage, ce cycle s\u2019inscrit en marge d\u2019un monde essouffl\u00e9 par sa course folle, en surproduction jusque dans les domaines culturels, en marge des partitions en cours d\u2019\u00e9criture qui ne seront peut-\u00eatre jamais entendues, en marge de la page blanche et silencieuse des artistes musiciens s\u00e9par\u00e9s de leurs publics, et les uns des autres. Si le virus et sa crise n\u2019ont pas tout \u00e0 fait raison du \u00ab r\u00e9pertoire \u00bb, ils nous enferment dans un monde sans cr\u00e9ation musicale. Pour continuer \u00e0 \u00e9crire et \u00e9couter le monde, notre compagnie fait appel \u00e0 des compositeurs et compositrices amis en leur demandant de tenir compte des contraintes de confinement \u2013 ici, celle des sites de visio-conf\u00e9rence (latence al\u00e9atoire, d\u00e9calages, impossibilit\u00e9 de contr\u00f4ler son \u00e9coute des autres\u2026) \u2013 dans l\u2019\u00e9criture de pi\u00e8ces nouvelles. Elles t\u00e9moignent \u00e0 la fois du contexte qui les a vu na\u00eetre, en m\u00eame temps que d\u2019un engagement bienveillant et solidaire entre cr\u00e9ateurs et interpr\u00e8tes. Ces cr\u00e9ations ne doivent pas \u00eatre per\u00e7ues comme des passe-temps de musiciens confin\u00e9s dans l\u2019insouciance, mais comme des cris d\u2019alarme, des actes militants. Chacun des chapitres de ce cycle porte en lui les stigmates de notre emp\u00eachement. Il ne s\u2019agit pas d\u2019esth\u00e9tiser le confinement en magnifiant le r\u00e9sultat du dispositif : nous souhaitons donner \u00e0 entendre ces imperfections, ces impr\u00e9cisions que nous masquons habituellement, donner \u00e0 voir la difficult\u00e9 d\u2019ex\u00e9cuter ces performances \u00ab live \u00bb. Ici, pendant l\u2019interpr\u00e9tation collective, chaque ex\u00e9cutant s\u2019enregistre sur un support individuel, pour permettre ensuite de restituer une image sonore coh\u00e9rente ; ces films sont les instantan\u00e9s d\u2019\u00e9v\u00e9nements musicaux r\u00e9els. Chaque volet de Marginalia sera une nouvelle invitation \u00e0 ne pas confiner l\u2019imagination, \u00e0 ne pas cesser de croire que dans l\u2019effondrement de tous ses rep\u00e8res, le monde a besoin de cr\u00e9ation et d\u2019artistes engag\u00e9s.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Distribution<\/h2>\n\n\n\n<p>Ad\u00e8le Carlier, C\u00e9cile Larroche, Ana\u00ebl Ben Soussan, Judith Derouin, Anara Khassenova, Marie Picaut, Amandine Trenc, Michiko Takahashi, C\u00e9cile Banquey, Anne-Lou Bissi\u00e8res, Aurore Bouston,Clotilde Cantau, Estelle Corre, Victoire Bunel, Marielou Jacquard, Lucile Richardot, Damien Ferrante, Alban Dufourt, Constantin Goubet, Olivier Rault, Ryan Veillet, Vivien Simon, Virgile Ancely, Emmanuel Bouquey, Renaud Bres, David Colosio, Sorin Adrian Dumitrascu, Mathieu Dubroca, Alphonse Cemin, Fr\u00e9d\u00e9ric Baldassare, Iris Zerdoud, Nicolas Foulon<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-246","voir","type-voir","status-publish","hentry"],"acf":{"subtitle-page":"Filidei, Bordalejo, Stroppa, Strasnoy, Mitterer, Combier","color":"Rose pale"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - 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