{"id":187,"date":"2023-11-30T12:08:34","date_gmt":"2023-11-30T11:08:34","guid":{"rendered":"https:\/\/www.lescrisdeparis.fr\/?post_type=evenements&p=187"},"modified":"2025-12-12T14:26:05","modified_gmt":"2025-12-12T13:26:05","slug":"balliamo","status":"publish","type":"evenements","link":"https:\/\/www.lescrisdeparis.fr\/en\/evenements\/balliamo\/","title":{"rendered":"Balliamo!"},"content":{"rendered":"\n

Pr\u00e9sentation <\/h2>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Qual cosa pi\u00f9 degna
Il ballo n’insegna!<\/h5>\n\n\n\n

Il n\u2019est rien de plus digne
que ce que la danse nous enseigne.
Alessandro Striggio, Tirsi e Clori<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

La Danse \u00e9rig\u00e9e au rang des Arts est un ph\u00e9nom\u00e8ne assez nouveau dans les cours italiennes du d\u00e9but du XVII\u00e8me<\/sup> si\u00e8cle. Il concilie le go\u00fbt du temps pour les influences populaires et la mode du ballet de cour. <\/p>\n\n\n\n

Le madrigal, le ballet et la pastorale, qui m\u00ealent fr\u00e9quemment voix et instruments autour de la danse, sont des formes qui en cohabitant participent \u00e0 l\u2019invention de l\u2019op\u00e9ra ; la grande pastorale des 2 premiers actes de l\u2019Orfeo<\/em> en constitue le premier exemple frappant. Le Ballo delle Ingrate<\/em> qui suivra, ou encore Volgendo il ciel<\/em>, sont autant de preuves de ce r\u00f4le nouveau que Claudio Monteverdi r\u00e9serve \u00e0 la danse dans l\u2019\u00e9laboration d\u2019une pens\u00e9e \u00e0 la fois musicale et th\u00e9\u00e2trale.<\/p>\n\n\n\n

D\u00e9sormais, l\u2019usage d\u2019un rythme sautillant, d\u2019une mesure ternaire, d\u2019une basse de chaconne, n\u2019est plus le signe d\u2019un simple divertissement. Une pi\u00e8ce religieuse peut contenir une danse macabre en prenant les atours d\u2019une chaconne lancinante pour \u00e9voquer les vanit\u00e9s du monde ; une gaillarde enlev\u00e9e peut s\u2019inviter dans un psaume de louanges, parfois jusqu\u2019\u00e0 la transe ; une pavane douloureuse peut accompagner l\u2019apparition de figures fantomatiques\u2026 La danse a une fonction dramatique, de m\u00eame que l\u2019antique Terpsichore c\u00f4toyait Melpom\u00e8ne, mais plus encore, elle peut servir de pr\u00e9texte \u00e0 des \u00e9laborations rythmiques d\u2019une complexit\u00e9 nouvelle, et le grand madrigal polyphonique qui conclut Tirsi e Clori<\/em>, lanc\u00e9 par son vigoureux \u00ab Balliamo !<\/em> \u00bb en constitue l\u2019illustration la plus irr\u00e9sistible.<\/p>\n\n\n\n

Dans ce nouveau programme d\u00e9di\u00e9 \u00e0 Claudio Monteverdi, Les Cris de Paris composent un Balletto<\/em> imaginaire au sein duquel se c\u00f4toient le sacr\u00e9 et le profane, le chant soliste et la polyphonie, la virtuosit\u00e9 vocale et instrumentale. <\/p>\n\n\n\n

<\/p>\n\n\n\n

Billetterie<\/a><\/strong> <\/h4>\n\n\n\n

Production<\/strong> Les Cris de Paris
Coproduction<\/strong> Festival d’Ambronay, Th\u00e9\u00e2tre de Saint-Quentin-en-Yvelines<\/p>\n","protected":false},"featured_media":690,"template":"","class_list":["post-187","evenements","type-evenements","status-publish","has-post-thumbnail","hentry"],"acf":{"start-date":"16 Dec 2025","end-date":"16 Dec 2025","hour":"20h00","place":"Auditorium, Maison de la Radio"},"yoast_head":"\nBalliamo! - Les Cris de Paris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lescrisdeparis.fr\/evenements\/balliamo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Balliamo! - Les Cris de Paris\" \/>\n<meta property=\"og:description\" content=\"Pr\u00e9sentation Qual cosa pi\u00f9 degnaIl ballo n’insegna! Il n\u2019est rien de plus digneque ce que la danse nous enseigne.Alessandro Striggio, Tirsi e Clori La Danse \u00e9rig\u00e9e au rang des Arts est un ph\u00e9nom\u00e8ne assez nouveau dans les cours italiennes du d\u00e9but du XVII\u00e8me si\u00e8cle. 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