{"version":"1.0","provider_name":"Les Cris de Paris","provider_url":"https:\/\/www.lescrisdeparis.fr\/en\/","author_name":"Antoine","author_url":"https:\/\/www.lescrisdeparis.fr\/en\/author\/antoine-boucon\/","title":"IT \u2013 Filidei, Stroppa, Francesconi, Lanza - Les Cris de Paris","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"UVcQ7i3jpN\"><a href=\"https:\/\/www.lescrisdeparis.fr\/en\/discography\/it-filidei-stroppa-francesconi-lanza\/\">IT \u2013 Filidei, Stroppa, Francesconi, Lanza<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.lescrisdeparis.fr\/en\/discography\/it-filidei-stroppa-francesconi-lanza\/embed\/#?secret=UVcQ7i3jpN\" width=\"600\" height=\"338\" title=\"&#8220;IT \u2013 Filidei, Stroppa, Francesconi, Lanza&#8221; &#8212; Les Cris de Paris\" data-secret=\"UVcQ7i3jpN\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.lescrisdeparis.fr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.lescrisdeparis.fr\/wp-content\/uploads\/2020\/11\/cover_nmm040_hd.jpg","thumbnail_width":1448,"thumbnail_height":1448,"description":"Pr\u00e9sentation Bien loin de l\u2019id\u00e9e d\u2019une tour d\u2019ivoire, ce double album est con\u00e7u comme une r\u00e9flexion sur l\u2019emprise du monde politique et social sur la sc\u00e8ne musicale contemporaine. Un dialogue s\u2019installe entre les graffitis c\u00e9l\u00e9br\u00e9s par Marco Stroppa, la geste carnavalesque de Mauro Lanza avec son \u00ab jeu \u00bb sur la mort d\u2019un roi, et [&hellip;]"}