{"version":"1.0","provider_name":"Les Cris de Paris","provider_url":"https:\/\/www.lescrisdeparis.fr\/en\/","author_name":"Antoine","author_url":"https:\/\/www.lescrisdeparis.fr\/en\/author\/antoine-boucon\/","title":"Le Paradis perdu - Les Cris de Paris","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"hel4P8YU9K\"><a href=\"https:\/\/www.lescrisdeparis.fr\/en\/discographie\/le-paradis-perdu\/\">Le Paradis perdu<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.lescrisdeparis.fr\/en\/discographie\/le-paradis-perdu\/embed\/#?secret=hel4P8YU9K\" width=\"600\" height=\"338\" title=\"&#8220;Le Paradis perdu&#8221; &#8212; Les Cris de Paris\" data-secret=\"hel4P8YU9K\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.lescrisdeparis.fr\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.lescrisdeparis.fr\/wp-content\/uploads\/2020\/12\/paradis-perdu.png","thumbnail_width":642,"thumbnail_height":571,"description":"Pr\u00e9sentation Prix de Rome en 1861, successeur de Camille Saint-Sa\u00ebns comme titulaire des orgues de la Madeleine en 1877, Th\u00e9odore Dubois incarne dans de nombreux esprits la figure du compositeur adoub\u00e9 par le milieu acad\u00e9mique, mais ne r\u00eavant que du succ\u00e8s public. Son \u00ab drame oratorio \u00bb Le Paradis perdu ne parviendra jamais \u00e0 briser [&hellip;]"}